NEWS

Fri 26 september 2025

International Opera Awards Nomination

We’re thrilled to share some exciting news – Vache Baroque has been nominated in the Equal Opportunities category at the 2025 International Opera Awards! This recognition means so much, especially for a project that is very close to our hearts.
Our Deafblind Awareness Week project launched in June 2024 in close partnership with Milton’s Cottage and Buckinghamshire Council’s Integrated SEND Service. We’re proud to have been awarded ‘Best cultural collaboration’ at the Buckinghamshire Culture Bucks Spark Awards in November 2024, and to have doubled our impact in June 2025 with a second instalment inspired by our circus-opera Le Carnaval de Venise. Our 2026 magic-themed DBA week project is already in the works.

A huge thank you to everyone who has worked with us to arrive at this point: our artists, collaborators, supporters and audiences. This nomination is as much yours as ours. We’re honoured to be nominated alongside Dallas Opera, Denyce Graves Foundation, Minnesota Opera, Opera sin fronteras, and Pegasus Opera Company. Winners will be announced on 13 November at a gala hosted by the Greek National Opera. Stay tuned, and until then, let’s celebrate this moment together!

Fri 19 september 2025

LOOKING BACK ON OUR 2025 FESTIVAL

“It felt less like a conventional opera and more like being swept into a living carnival – part theatre, part circus, and wholly baroque.”
★★★★★
Opera Now

“Looks enchanting, sounds gorgeous… Huge fun”
The Spectator

A huge thank you to everyone who joined us for our 5th anniversary summer festival at The Vache! We presented our most ambitious opera yet, our second relaxed performance and our first ever jazz evening. Our heartfelt thanks go to everyone involved, from the brilliant artists and dedicated crew to the audiences whose warmth made every performance truly memorable. We can’t wait to do it all again next year (stay tuned for an exciting announcement soon)! In the meantime, check out what we’re up to this autumn. 

TUES 5 AUGUST 2025

INTRODUCING our circus acrobats

We’re thrilled to have acrobats Shane Hampden and Hannah Finn joining us for Le Carnaval de Venise!

Shane started lunchtime dance classes at 9. After joining Swindon Dance’s Centre for Advanced Training, he began gymnastics and freerunning classes. By the time he finished college, he decided to combine these skills together and study at The National Centre for Circus Arts, specialising in teeterboard. He graduated with a BA Degree in 2021 and has been working as a professional Circus Artist ever since.
Shane joined The Revel Puck Circus for the creation and tour of their new show “The Wing Scuffle Spectacular” after graduating. Since then, he has been working and touring with other UK Circus companies such as, Ockhams Razor, Simple Cypher, Barely Methodical Troupe and Upswing Aerial. As well as being on the set of photo and video shoots for different Clothing brands, including House of Errors and Seeing Red. He has also been a Specialist Action Extra on film sets, including a Disney’s “Marvel” production with Take 3 Agency. His career so far has taken him to France and Germany, including a 5 month residency at The Chamäleon Theatre in Berlin.

Hannah is an acrobat, aerialist, physical theatre practitioner, contemporary dancer and high-level contortionist. Hannah is known for her fluid and emotive performances blending unique high level skills with innovative sculptural shapes, break dance elements (such as threading & tutting), and contemporary dance elements. She specialises in high level dance contortion, Foot Archery, and she also performs on a bespoke spinning contortion cube, with high level skills like The Marinelli Bend. Hannah has performed for productions, events and clients worldwide such as The Roundhouse London, The Birmingham Hippodrome, The Place London, The Box (NYC & London), Harry Styles, Jon M. Chu, Greystone Mansion Beverly Hills, MySky Marrakech, and Anantara Kihavah Maldives. Hannahs choreographic work has received support from Cirko Vertigo Italy, The National Centre for Circus Arts London, Theatre Deli London, The Arts Council England, and Jerwood Arts. Hannahs work was also selected to participate in the prestigious “Circus Next” Platform in Europe.

WEds 25 JUNE 2025

q&a interviews with opera soloists

We chatted to Katie Bray and Julieth Lozano about our upcoming circus-opera Le Carnaval de Venise, their own creative practise and their thoughts on baroque performance…
“I feel like people should know and understand that baroque opera is truly where it all started and we should see it as a serious thing… baroque opera is very human and very visceral and it’s very exciting to perform.”

“I hope the audience see that collaborations between opera and other arts forms, like circus, are really worth embracing. We don’t just want to have opera and circus on the same stage doing their own separate things – we want to fuse them.”

Read Katie’s interview here and Julieth’s interview here…

FRI 13 JUNE 2025

INTRODUCING OUR NEW GENERAL MANAGER

We’re delighted to announce that Benjamin Ashby will be joining Vache Baroque as our new General Manager from June 2025.
Ben joins us at a pivotal moment in Vache Baroque’s journey, bringing with him a wealth of experience from his time as Co-Director of a successful music software startup and, most recently, as Director of Business and Development at Pimlico Musical Foundation.
A passionate advocate for music and opera, Ben initially studied at the Royal College of Music and has long championed organisations that seek to reach and engage diverse audiences.His appointment marks an exciting new chapter for the organisation. With a strong track record in business management, tech innovation and fundraising, Ben is perfectly placed to help lead Vache Baroque through its next phase of growth.
As General Manager, Ben will oversee governance, finance, technology, fundraising and marketing. We look forward to welcoming Ben to the team full-time from June 2025.
A huge thank you to the Foyle Foundation for making this appointment possible with a generous grant.

“I’m thrilled to be joining Vache Baroque at such an exciting juncture of growth. I look forward to building the systems and securing the resources that will support VB’s impressive artistic ambitions.”

FRI 6 JUNE 2025

CARE HOMES COLLABORATION WITH CHILTERN MUSIC THERAPY

We’re thrilled to announce our partnership with Chiltern Music Therapy. We aim to enhance well-being and community connection through engaging workshops with 5 local settings and a culminating performance at The Vache, Chalfont St Giles on Sunday 7 September 2025. In each session, a Music Therapist from CMT will be supported by a Vache Baroque musician to explore themes from the Orpheus story with residents, tailored specifically to their needs. The story of Orpheus is central to the plot of our summer opera, Le Carnaval de Venise by André Campra. This project is an exciting opportunity to leverage the well-being benefits of live, high-quality music performance and music-making for those in the local community. A huge thank you to the Denham, Gerrards Cross & Chalfonts Community Board, the Amersham & Villages Community Board and the Clare Foundation for supporting this project. 

TUES 5 MARCH 2025

Q&A WITH JONATHAN HOWARD

We’re thrilled to be joined by Jonathan Howard (formerly of The King’s Singers) as a soloist for Out of the Deep and as a tutor for our James Bowman Young Artist Programme. We picked his brain on the things he’s most looking forward to about the project. Read the full article here!

“Consort singing is an enormous joy, but it’s also really challenging: how we balance enjoying our own voices and musicality with wanting what’s best for the collective?”

Thurs 30 January 2025

ALL THINGS COFFEE

We’re just 3 weeks away from bringing Coffee Baroque to Fidelio Cafe! Wet your whistle with a brief history of coffee from Kelly O’Reilly. 
In his 1621 opus, The Anatomy of Melancholy, Robert Burton wrote: “The Turks have a drink called coffa (for they use no wine), so named of a berry as black as soot, and as bitter… which they sip still of, and sup as warm as they can suffer; they spend much time in those coffa-houses, which are somewhat like our alehouses or taverns…”. Several decades later, readers would require no such explanation: England was awash with coffeehouses, and people couldn’t get enough of the drink. By the end of the 17th century, London was said to have over 3,000 coffee houses – more than any city outside Constantinople. London’s first coffee house was established in 1652 by Pasqua Rosée, servant to a coffee-loving trader to the Levant. He found tremendous success with his venture and was soon selling over 600 servings a day. His original handbill advertised both the therapeutic and preventative effects of coffee on digestion, headaches, rheumatism, consumption, cough, dropsy, gout, scurvy, and even the plague. It’s a wonder anyone ever got sick.

Others, particularly the ruling classes, viewed coffee with suspicion, arguing that it was the devil’s drug, imported by
heathens. They began cracking down on coffee houses and spreading misinformation about the drink, claiming that it was especially “unfit” for women and children. During the Restoration, London’s coffee houses became increasingly popular. They were hotbeds of gossip for people from all walks of life to talk about state and public affairs – something that greatly alarmed King Charles II. On 29th December 1675, he issued a proclamation that forbade coffee houses to operate because “the Idle and Disaffected persons’ who frequent these establishment have led to ‘very evil and dangerous Effects’ and ‘malicious and scandalous reports to the defamation of His Majesties Government”. The proclamation was so unpopular, however, that it was withdrawn on 8th January 1676 and the British continued their love affair with coffee and coffee houses. These offered an alternative to public houses, being places for discourse of a more sober nature. The penny entry fee covered the cost of newspapers and pamphlets as well as coffee – giving rise to the nickname of Penny Universities. They were busy centres of printed news and intelligence and some catered for specialised commercial interests – including one coffee shop, opened by Edward Lloyd in the 1680s, that eventually became Lloyds of London.

Coffee houses were becoming increasingly popular in Germany, too, and one of the oldest continuously open coffee houses can be found in Leipzig. The Coffee Baum opened in 1694 and, along with other coffee houses in the city, developed a reputation for hosting musical entertainments for their guests. The standard was high. In 1729, Bach was made director of the Collegium Musicum in Leipzig, a municipal music association of students and professional musicians, founded by Georg Philipp Telemann. He gave concerts with this association every Friday evening in the Zimmermannsche Kaffeehaus, on Katharinenstraße, the most elegant street in Leipzig at the time. The owner did not charge rent to the musicians, and the audience had free admission. He made his money through selling coffee, which was still a rare and exotic delicacy in those days. Bach was a particularly dedicated coffee drinker and is said to have consumed up to 30 cups a day!

SUN 19 JANUARY 2025

VISIONARIES RECORDING SESSION

On Sunday 19 January, we brought our Visionaries team together again to record L’Allegro Part I for use in workshops for MSI young people.

“It was so lovely to see our fabulous team of singers and players again, and to welcome some new faces to this ongoing project. There’s nothing quite like revisiting music after some time doing other things, like wine that’s taken on some new flavours. And we couldn’t have wished for a more experienced sommelier than engineer and producer Simon Kiln, who was a paragon of wisdom and calm throughout the fast-paced day. He has worked on some huge opera recordings and edited alongside Antonio Pappano so his ear is second to none. The Vache hall played its own part in the process, with everyone in agreement that it has a beautiful resonance for this chamber-style music. The edit will be made in the coming weeks and we hope our MSI learners will have a soundtrack to accompany their touch stories for years to come.”  ~ Jonathan Darbourne

FRI 13 decembEr 2024

SOUNDS OF THE WORLD PERFORMER SPOTLIGHT:
ZIYANG HUANG

Our Young Ambassadors have been working hard behind the scenes to secure an exciting line up for their Sounds of the World concert on Saturday 14 December, and are delighted to introduce virtuoso erhu player Ziyang Huang. Ziyang comes from a distinguished background, having studied at the China Central Conservatory of Music (China) and University College London (UK). She has showcased her talents in over 10 countries and 30 cities, gracing prestigious venues such as the Barbican Centre, the British Museum, the Natural History Museum, and China’s National Centre for the Performing Arts. Ziyang has led masterclasses at SOAS and the Royal Academy of Music, and served as a judge for Chinese music festivals in 2024. Her achievements include international competition victories, recordings with Sony Music and Universal Studios, and collaborations with Tate Modern.

FRI 29 November 2024

A HISTORY OF SOUND IN SPECIAL SCHOOLS

“…the most impactful visiting group we have ever had in school… the playground and staffroom was full of buzz and chat about the sessions over the two days you were with us. Thank you so much for choosing to work with us! We would love to have you back.”

Over the last two weeks, we have been developing our primary school show ‘A History of Sound’ to take it into Special Schools. We spent two days working with Ben Sellers and Kathryn Sturman, both experts in the inclusive music education field, learning to work with children with a wide variety of needs, adapting sections of our existing show, devising new workshop activities and learning to use accessible music tech.

This week we’ve been in residence at Heritage House Special School in Chesham, working with lots of different classes and their teachers to trial our adapted show and workshop activities.The outcomes have been very exciting and inspiring. Many teachers commented on how engaged the children were and how special it was for them to experience live singing and instrumental playing. The children we worked with had a wide range of needs and responses to the music. Many joined in with actions, dancing, sounds, singing and questions; others sat and listened. Their teachers said that for many of these students, simply sitting still and focussed for so long was an unusual and positive outcome.

In total, we delivered 7 sessions across 2 days, working with 48 young people with a huge range of needs from across the school. We were grateful to be supported by a brilliant team of teachers and teaching assistants. This work feels very important and rewarding; we are excited to work with Heritage House learners again, and to take ‘A History of Sound’ into Special Schools across Buckinghamshire in 2025 and beyond.

Thurs 21 November 2024

SPRING 2025 PROGRAMME ANNOUNCEMENT

We have two exciting projects in the works!

In February we’re reviving our 2021 Coffee Baroque show in partnership with Fidelio Cafe. We’re really honoured to be working with the team at this beautiful venue, which hosts performances from some of the best loved and renowned performers in our industry. 

In March we’ll be performing our brand-new Out of the Deep programme in the stunning Magdalen College chapel in Oxford, as well as returning to Smith Square Hall in London. Join us to explore themes of love, isolation, and redemption in an absorbing journey of words and music. Poetry and prose from the 17th century to the modern day, including extracts from Oscar Wilde’s introspective 1895 masterpiece De Profundis, will be interspersed with solo songs by Henry Purcell and two deeply searching De Profundis psalm settings by Johann Sebastian Bach and Bohemian composer Jan Dismas Zelenka. 

Thurs 14 November 2024

HORATIO'S GARDEN

In October we began a series of performances in collaboration with Horatio’s Garden, a charity which creates beautiful gardens and provides enriching activities for spinal injury patients in NHS hospitals. Our first performance was on 19th October at the Royal Orthopaedic Hospital in Stanmore, where co-founders Betty and Jonny performed a recital of French and English Baroque songs for soprano and harpsichord. The audience – 4 patients, 3 guests and staff (and a few others passing by) – found the experience very moving and relaxing. “It was amazing…” said one patient, “I was shivering less, and not just figuratively, I really felt warmed by the music.”

 Other patients described how powerful the music had felt, and some were moved to tears. The performance took place in a colourful purpose-built room in the middle of the garden, which is used for a variety of creative activities and performances such as art classes, songwriting, and sewing. The atmosphere was relaxed and friendly, with cups of tea and homemade parkin cake passed around. The programme of Baroque songs prompted lots of questions from patients about the history of the music, the harpsichord, and the French texts. Everyone left the session with a smile. We’re looking forward to a similar performance at Stoke Mandeville hospital in Aylesbury later in November, and we hope this is the start of a longstanding collaboration with Horatio’s Garden.

Tues 5 November 2024

OUR PAST IMPACT REPORTS

As we’re getting ready to publish our 2023 Impact Report, with our 2024 report in the works already, we’ve been taking a look at our performances and projects since we launched in 2020 – if  you’re curious, check these out & stay tuned for more!

Fri 1 November 2024

Hello! Follow us on Social Media

Welcome to our NEW news page! We (the VB core team) will update this page once a month or so, but do follow us on social media to keep up to date and see more behind the scenes snippets of what we’re up to. Or why not sign up for our newsletter?