BUXTON INTERNATIONAL FESTIVAL
BAROQUE ENSEMBLE IN RESIDENCE
CACCINI's LA LIBERAZIONE DI RUGGIERO
Wednesday 15 July 2026 7.15pm
Friday 17 July 2026 7.15pm
Sunday 19 July 2026 (Matinee) 2.00pm
Tuesday 21 July 2026 7.15pm
A piece of operatic history comes alive with La liberazione di Ruggiero, the first known opera written by a female composer. Premiered in 1625, it’s a vibrant tale of sorcery, temptation and liberation. Ruggiero, a hero with a wandering heart, falls under Alcina’s spell, lost in her glittering illusions. But help arrives through Melissa, who works on behalf of Bradamante, the warrior he truly loves.
With its enchanted creatures, clever humours and sharp storytelling, the opera is both playful and powerful. The Festival honours this remarkable work for what it is: a trailblazing creation that brims with imagination, wit and early Baroque brilliance.
Sung in Italian, with English surtitles.
A big thank you to the Continuo Foundation for their support towards this production.
Farewell, Dowland
2026 marks 400 years since the death of the English composer and lutenist John Dowland. In the same year – 1626 – the king of France, Louis XIII founded a group of strings called ‘The 24 Violins of the King’. Taking inspiration from these two events, Vache Baroque will journey both back and forward along the path of English music history. What and who influenced Dowland’s music? How did post-Civil War English composers draw on French instrumental style and set up in their compositions? From dances, lute songs, and fine-woven counterpoint, to sonatas, verse anthems, and dramatic music for the theatre, 17th-century England was a melting pot of musical styles and genres. Granted, these were formed from ‘continental’ ingredients, but the resulting flavour was always unmistakably English. This programme will be presented as two c.45-minute halves, with a c.20-minute interval.
3pm on Saturday 18 July at St. John’s Church, Buxton
If It Ain't Broke
English music for the ‘broken consort’: the modern symphony orchestra is the historical end game of different instruments being mixed together to create one big happy family. But what are the early examples? In England, from the reigns of Elizabeth I to Charles II, composers wrote ‘concerted’ music for instruments from different families – keyboards, plucked strings, viols, violins, and winds -, sometimes as an accompaniment to solo voices. Players from Vache Baroque present an hour-long programme of music from this fabulous repertory, ranging from punchy dances to reflective songs, with pieces by John Jenkins, Christopher Simpson, William Lawes, and others.
11am on Monday 20 July at St. John’s Church, Buxton
ALCINA Camilla Seale
RUGGIERO Jon Stainsby
MELISSA Phoebe Rayner
NETTUNO Filippo Turkheimer
SIRENA Betty Makharinsky Sirena
NUNZIA Harriet Burns
UNA DAMIGELLA Aina Miyagi Magnell
PASTORE / ASTOLFO Tom Kelly
VIOLIN I Mayah Kadish
VIOLIN II Alice Earll
VIOLIN III / VIOLA Charlotte Fairbairn
GAMBA Gavin Kibble
VIOLONE Kate Brooke
RECORDER Thomas Pickering
RECORDER Olivia Petryszak
RECORDER Teresa Wrann
ORGAN Makoto James
THEORBO / GUITAR Jonatan Bougt
SACKBUT I Jonathan Stevens
SACKBUT II Jess Anderson
SACKBUT III Jonny Lovatt
MD / HARPSICHORD Jonathan Darbourne
DIRECTOR Eloise Lally
DESIGNER Zahra Mansouri
LIGHTING DESIGNER Alex Musgrave
MOVEMENT DIRECTOR Katie Kelly
ASSISTANT DIRECTOR Eleanor Strutt
ITALIAN COACH Valeria Perboni
STAGE MANAGER Rebekah Tunnell
